Vegetative style. Floristry for beginners. Form-linear style of floristry. Vegetative style in floristry.

Vegetative style call the most natural representation of flowers and plants in a composition. At the same time, the florist, working with the material, must pay Special attention on appearance, growth form and the plant community of plants.

The vegetative style is most characterized by an asymmetrical arrangement. With this arrangement, the largest group plays the dominant role. Balance in the composition is achieved with the help of a slightly smaller, opposite group, which is placed at a distance, and a small, neighboring group is placed closer to the main group. Working in a vegetative style requires particularly careful selection and arrangement: flowers and plants should look natural, as they grow in natural conditions. A vegetative composition can be constructed in various ways.

Decorative style these are bouquets in vases - baskets of a large number of flowers, mounted on .

IN decorative style The main thing is not to identify the characteristics of each plant, but to subordinate them to the idea of creating a new expressive whole, when plants, having partly lost their individuality, look new. In practice, florists often perform work in a decorative style. main feature decorative style This is a dense filling, that is a large number of plants located close to each other.

Shape - linear style- attention is paid more to line, shape, contours. It can be attributed to modern forms compositions.

When working in shape-linear style It is important to achieve strong tension in combinations of shapes and lines, and the amount of material used must be kept to a minimum. A large amount of material with pronounced lines in one work reduces the expressiveness of each line and the entire work as a whole. The same thing happens when using a large number of forms in one composition. Form-linear work loses its expressiveness even if you combine many plant elements - flowers, leaves, branches, etc. A strict, clear line will become more expressive if it is contrasted with a winding, restless line. The ball is an expressive geometric body that looks very static. But the line is always dynamic, and therefore it can be contrasted with the ball.

Examples can often be found in nature parallel style compositions, and many florists have long been creating works based on their model. In floristry, a style is considered parallel if the majority or are located parallel to each other.

Works in a parallel style can be. Each element has its own own point height, and, as in other styles, here it is necessary to strictly observe proportions, color, shape, etc. Parallel parts of the composition can be vertical, diagonal or horizontal. Parallel style options can be parallel-vegetative, parallel-decorative and parallel-graphic. All the basic rules for creating compositions are valid for these three options.

One of the common modern classifications- division of all styles in floristry into decorative, vegetative and linear form. The authors of this division are Gregor Lersch and Daniel Ost. The famous florist Peter Asman suggests distinguishing four styles, adding a parallel one to those named; in practice, the fourth style became part of the linear form.

Decorative(from Latin decoro - I decorate) style involves creating compositions from a large number various colors. At the same time, the integrity of the plan is preserved and emphasized creative individuality bouquet. When creating compositions in a decorative style, the main thing is to subordinate the plants to the main idea of the master, playing out each flower in a new role for it. Characteristics decorative style - dense filling of space and symmetrical arrangement of plants. Asymmetrical works are a rare exception to this style and are most often created from dried flowers. In symmetrical compositions of a decorative style, plants are placed as a mirror image relative to the geometric middle (axis). For example, red tulips on the left should also be on the right. Specularity is observed in the shape, color and dynamics of plants; only in certain elements the composition can be asymmetrical. The composition may have one or several axes of symmetry, and it is possible to place plants in a stepped structure. For arrangements in a decorative style, flowers of symmetrical shape are most suitable - large-flowered chrysanthemum, peony, hydrangea, gerbera.

Classical designs are performed in a decorative style round bouquets Biedermeier

Vegetative(from Latin vegeto - I revive) style involves a natural combination and placement of flowers and additional plant material. Vegetative style compositions are distinguished by asymmetrical placement of flowers and accessories. The compositions are composed of three groups of plants of different sizes, among which one of the groups is given clear preference. Most often, the basis of a vegetative composition looks like this: the focal point is one of the groups of plants, it is shaded by a neighboring small group and balanced by a medium-sized third group located in the distance. The main condition for creating a vegetative composition is to preserve the natural appearance of plants and highlight their especially colorful sides. Experienced florists They do not copy the natural arrangement of flowers, but create a creative composition based on the natural qualities of a particular plant. The vegetative composition is built in several ways, of which the most famous is the arrangement with one growing point. In this case, the plants are placed so that all the lines of the composition not only gather at one point in structure, but also visually look the same. In most cases, the asymmetrical arrangement ensures that the growth point is not in the center of the vase, but is shifted to the side, forward or backward from the aligned center of the composition. You can also place the plants so that they visually diverge from one growing point under the vase. The easiest way to create a growth point is by the intersection of several main groups of the composition.

Shape - linear style suggests asymmetry in compositions. Main feature compositions made in this style is to use the individual characteristics of all components involved in the composition. Within the framework of the form-linear style, compositions are created from a minimum amount of materials, both planar and in the form of various geometric shapes.

Parallel florists call a style when most of the plant and additional material located parallel to each other. Parallel compositions, made in a linear style, are created from cut plants arranged on a base in horizontal or vertical rows. Each row contains plants of either the same color or the same type. Such compositions require beautiful tall or, on the contrary, flat decorative vessels.

Form-linear parallel compositions can be symmetrical or asymmetrical. As in other styles, here each element has its own growth point and proportions are strictly observed, color combinations, form. Parts of a parallel composition can be vertical, diagonal or horizontal. Examples of parallel style compositions can be found in nature.

The main compositions of the form-linear style: o parallel-vegetative - asymmetrical, looks quite natural, since the plants are arranged as freely as in living nature. In this style, compositions are made from both cut flowers and potted plants; o parallel-decorative - symmetrical and having a closed shape, which emphasizes the visual impression of the originality of the work;

o parallel-graphic - it can be both symmetrical and asymmetrical. The basis of such compositions is a constructivist or even abstract design. Often, when composing compositions in this style, biological individual characteristics plant material. The basis can be fine crushed stone, brick chips, sand, synthetic materials. Vertically placed plants intersect, which gives the work originality and uniqueness. Floral oasis foam is placed slightly below the edges of the vase. Avant-garde works are performed in this style for modern office interiors.

Basic provisions

In this style, the main thing for the florist is not to identify the characteristics of each plant, but to subordinate them to the idea of creating a new expressive whole, when the plants, having partly lost their individuality, look new. In practice, florists often perform work in a decorative style.

The main feature of the decorative style is dense filling, that is, a large number of plants located close to each other.

Decorative works, as a rule, are symmetrical, but they can also be asymmetrical, such as structural bouquets or this composition entwined with ribbons, bunches of grass and branches.

When creating decorative work, the florist must know that the result of his creativity primarily depends on the shape and color of the selected plants. Usually

symmetrical decorative work looks clear and strict. This impression is enhanced by a combination of, for example, yellow with white or blue with white and is weakened by variegated work or soft colors.

If the decorative arrangement is symmetrical, then the material should be arranged as a mirror image relative to the geometric middle (axis). The yellow roses on the right should be repeated on the left. This sameness is observed in the shape, color and movement of plants, but in details the composition can be asymmetrical*.

* It's about about external symmetry, that is, about the symmetry of a form, while asymmetry within the form creates movement.

Any decorative symmetrical composition should

not have at least one axis of symmetry. IN

Most of such work follows a step-by-step

tonality. However, it is not typical for Biedermeier and structural work.

In a decorative style, the look is especially expressive.

flowers of symmetrical shape bloom - such as large

multi-colored chrysanthemum, peony, hydrangea, tagetes. Men-

Strelitzia, freesia, iris and other flowers with an asymmetrical pattern are more suitable.

Simple bouquet in the Biedermeier style

A decorative bouquet with a large number of dense floral forms, but many flowers and herbs have not lost their expressiveness. The bouquet is asymmetrical in detail

Bouquet

Decorative bouquets can be different - from length-	Such bouquets are characterized by dense filling, and
stem dome-shaped to stepped,	despite the open, loose contour of some and closed
including all intermediate forms.	nut others, they all look decorative.
In addition, florists also perform short-stemmed	In modern decorative works plants more often
new bouquets - from Biedermeier bouquet to modern	are positioned asymmetrically, first of all it is
structural or variegated round.	details of the bouquet (see pictures below).
And of course, the long flowing ones are very interesting
bouquets, the origins of which should be sought in
Art Nouveau (Art Nouveau style).

Options for decorative bouquets

Often bouquets collected in parallel look so elegant that they can rather be classified as decorative.

rational style.

Bouquets with various types of entwining the surface of plants are very popular. When working with material (color

tami, leaves, etc.) for parallel bouquets in children

In a corporate style, the florist must take into account the individuality and line of movement of the plants so that they do not

contradicted the rules of this style.

Decorative bouquet (3 parts height and 5 parts width)

Vegetative style call the most natural representation of flowers and plants in a composition. At the same time, the florist, when working with the material, must pay special attention to the appearance, growth form and the plant community of plants.

The best known form is with one point of growth, when the material is arranged so that all the lines of the composition visually and actually gather at one point. This point is located in the vase where the plants are located. The visible and directions of movement of plants should not intersect in free space. In this case, intersections of small lines are allowed. This classic form of vegetative style is also called vegetative with a real growth point.

Typically, florists perform an asymmetrical arrangement of three groups: main, opposite and neighboring. In this case, the growth point of these three groups of different sizes should in no case be in the center of the vase. It should be moved sideways, as well as forward or backward from the geometric center.

In another form of vegetative composition, the plants visually seem to diverge from one growth point, which is located not in, but below it. In this case, as a rule, a point is created by the intersection of three or more basis groups. Otherwise, you should adhere to the rules for creating a vegetative form with a real growth point. Florists who have mastered the construction of these forms can give free rein to their

Floristry or floral design is a type of decorative art in which the main object of creativity is fresh flowers. More than 200 thousand are known all over the world. different varieties colors. They help express feelings and emotions, and flower arrangements have become an integral part of our daily life.

Modern florists use 4 different styles floristry. This division allows you to choose the perfect bouquet for an event of any format.

Vegetative style

It is considered the most difficult, since all compositions in this style are as close as possible to the natural image. The florist looks at the morphology of each plant separately: sorts the species by color, shape and volume. Bouquets are made using moss, berries, dried flowers, branches, driftwood and decorative stones.

Several growing points, precise location of stems and natural muted colors are the main criteria for the vegetative style. Experts do not advise combining flowers from different seasons in one composition, as this is considered bad form and bad taste. The key image of the vegetative style is a massive armful of wildflowers.

Working in this direction, skilled florists draw inspiration from environment, a certain time of year or stepwise plant physiology. The most famous floral technique in the vegetative style is called “one point of growth.” All plants and flowers in the composition are collected at one point, for example, in a vase. Flower growth lines should not intersect with each other. The only exceptions are small, low-growing varieties.

Decorative style

Allowed to use all bold combinations. the main task florist working in a decorative style to create a single concept for a bouquet of different types plants. Each bud does not lose its individuality, but fits perfectly into the overall picture.

Contrast in colors, symmetry and asymmetry are welcome, use synthetic material. Plastic fruits, ribbons, bright wrapping paper - the more textured finishing materials, all the better.

Wedding florists often use decorative style techniques, as its features are ideal for decorating celebrations and holidays.

Linear style

Linear is rightfully considered the clearest floral style. Florists adhere to the main rule: minimum material - maximum natural forms.

All emphasis in the compositions is on creating clear lines. Preference is given to varieties with long or curved stems. All materials in a linear composition, as a rule, are arranged asymmetrically and emphasize the extravagance of the selected plants.

Massive style

The massive or “form” style differs from the previous ones in its clear presentation of the final composition. Florists in their work often use voluminous frames or special wicker bases for a lush bouquet.

All details are connected to each other as tightly as possible, so there is no free space left in the center of the composition. There are no focal points, smooth transitions between elements, gradual changes in lines, smooth transitions from large to small. Monochromatic flowers merge together, and multi-colored ones create a single motley canvas.

How the bouquet will ultimately look depends only on the professional skills and skill of the florist. We hope you are interested in the topic of bouquet design.

We specifically made a short introductory article so that general outline introduce you to the mysterious world of floristry. In subsequent issues we will discuss in detail issues that will be useful both for professional florists and ordinary connoisseurs of beautiful flower arrangements.