Svetlana Aleksievich (birthday May 31, 1948) - Russian-speaking writer and journalist from Belarus, awarded the Nobel Prize for creativity in literature.

Biography facts of childhood and adolescence

Svetlana Aleksandrovna Aleksievich was born on Ukrainian soil in the town of Stanislav (now it is Ivano-Frankivsk). When Alexander's father was fired from service, the family moved to Belarus. There, the parents got a job as teachers. As the writer herself says, her childhood years were spent on a farm in the Vinnitsa region.

After graduating from secondary education in 1965, she worked as a reporter. Then, to enter the university, journalism required work experience in the relevant specialty. Since 1967, Svetlana Aleksievich has been successfully studying at the university. During the period of her studies, she was repeatedly awarded the title of laureate of all-Union and republican competitions among students.

Further biography

After university, she was assigned to the Brest region, to the regional newspaper of the city of Beryoza. A year later, she moved to the republican "Selskaya Gazeta". In 1976 she became the head of one of the departments of the magazine "Neman", in which she worked for eight years.

The works of Ales Adamovich in the genre of the witness novel had a great influence on the work of Svetlana Aleksandrovna Aleksievich. This new genre of "cathedral romance" or "epic-choral prose" was invented and developed by A. Adamovich. His unusual style showed the beginning writer his path in artistic journalism.

Creation

The first book was written back in 1976, but its set was scattered. It was called “I left the village” and narrated on behalf of the villagers who went to live in the city. The work was not published, and Svetlana Aleksievich was accused of anti-government and anti-party views.

The well-known work "The War Does Not Have a Woman's Face", published in 1984 in a magazine version, was compiled from the recollections of women who took part in the war. To date, the circulation of this book has reached two million. In 1985, the book "One Hundred Non-Children Stories" was published, written from the recollections of people who survived the war as a child. It was published frequently and critically acclaimed many times.

In 1989, the book "Zinc Boys" was published, written with the words of the unfortunate women who lost their sons in Afghanistan. To write the work, Svetlana Aleksievich collected materials for 4 years, went to the Afghan war. The author was tried for this work.

In 1993, the book "Charmed by Death" was published. It tells about people who have not found their place in the modern world without a socialist idea. About those who decided to commit suicide. Four years later, the book "Chernobyl Prayer" was published, composed of recordings of conversations with eyewitnesses of the Chernobyl accident. The entire circulation of foreign publications exceeded 4 million, the work received three large prizes.

Books

1. Second hand time.

2. Enchanted by death.

3. The last witnesses (one hundred non-child stories).

4. Last witnesses. Solo for a child's voice.

5. War does not have a woman's face.

6. Zinc boys.

7. Chernobyl prayer. Chronicle of the future.

Personal life

According to the writer, her personal life has developed like many, not very happy. "All the time sadness, expectation of something ...". The main thing for her is to maintain balance and friendliness to the world inside herself. The writer is currently writing a book about love. She notices that it becomes more and more difficult for her to love people.

Svetlana Aleksievich took up the daughter of her sister who died early. There are no other children in the family of Svetlana Aleksievich. In an interview with the writer about her personal life, she prefers not to expand. Even in the biography, written by Svetlana Aleksievich herself, there is no information about her personal life.

For the last two years, Svetlana Aleksievich has been living in her homeland in the city of Minsk, although her works are not published here and are being tried. According to the writer, she wants to live at home, where everyone understands each other at a symbolic level. Before that, she emigrated for a long time. Was in Italy, Germany, France, Sweden. The personal life of the writer abroad is a secret behind seven seals.

About the Nobel Prize

In October this year, Svetlana Aleksievich was awarded the Nobel Prize. Her work was called polyphonic, her works became a monument to suffering and courage. The announcement of the awarding of the Nobel Prize to Svetlana Aleksievich was perceived differently both in Russia and in Belarus. Many people think about political motivation in choosing a candidate. In spite of everything, this is a significant fact in the biography of Svetlana Aleksievich.

About Russia, about Crimea, about Putin

When presenting the Nobel Prize, Svetlana Aleksievich stressed that she had nothing bad to say about the culture of Russia. Theater, ballet, ... - a wonderful "Russian world" that she accepts. “The world of Beria, Stalin, Putin ... is a world alien to me, I don’t love it,” says the writer.

She calls modern Russia a pit, an abyss with nuclear weapons, crazy geopolitical ideas and complete illiteracy in international law. All this gives her a sense of defeat.

The writer condemns Russia's policy towards Ukraine. Svetlana Aleksievich, commenting on the armed conflict that took place in Crimea, says that it is scary when people kill each other. She explains this by the fact that over the past two hundred years people have fought a lot and lived very poorly, she frankly reflects all this in her work.

Svetlana Aleksievich is an active anti-Soviet, known for her condemnation of the domestic and foreign policies of Russian head Putin.

Svetlana Aleksandrovna Aleksievich (1948) - Soviet and Belarusian writer, journalist, screenwriter of documentaries. Winner of the 2015 Nobel Prize in Literature.

Svetlana Aleksievich was born on May 31, 1948 in the city of Stanislav of Western Ukraine (now Ivano-Frankivsk). Her mother was Ukrainian, and her father was Belarusian. Svetlana spent all her childhood in a village in the Vinnitsa region. Later they moved to Belarus. The paternal grandmother and maternal grandfather were killed at the front, and two of Svetlana's father's brothers also disappeared during the war. Her father was the only one who returned from the front. Svetlana Aleksievich's parents were teachers in a rural school.

Svetlana graduated from school in the village of Kopatkevichi, Petrikovsky district, Gomel region in 1965.

Journalistic activities

Journalistic biography of Svetlana Aleksievich begins in 1972, after graduating from the university (BSU, Faculty of Journalism), when she becomes an employee of the regional newspaper Mayak Kommunizma in the Brest region. From 1973 to 1976 - worked as a journalist in the Belarusian "Selskaya Gazeta", and from 1976 to 1984 - head of the essay and journalism department of the "Neman" magazine.

Creation

Svetlana Aleksievich writes in the genre of fiction and documentary prose. She calls Ales Adamovich and Vasil Bykov her teachers. All of Alexievich's books are based on detailed interviews with people who have experienced some difficult event or with their surviving relatives.

The first book by Svetlana Aleksievich "I left the village" was prepared for publication in 1976. The book was a collection of monologues by residents of a Belarusian village who had moved to the city. However, this book never appeared in print, on the instructions of the propaganda department of the Central Committee of the Communist Party of the BSSR the set of the book was scattered. The writer was accused of criticizing the tough passport regime and "misunderstanding the agrarian policy" of the party. Later, Aleksievich herself considered her work overly "journalistic" and refused to publish it.

Since 1983 - a member of the Writers' Union of the USSR.

In 1983, a documentary story was written, based on interviews with Soviet women, participants in the Great Patriotic War, "The war does not have a woman's face", which brought fame to Aleksievich. In 1985, the story was published, it was the first published book by Svetlana Aleksievich.

Aleksievich's books form a cycle, which she herself defines as the “chronicle of the Great Utopia” or the story of the “red man”.

The most famous are her books in the genre of fictional and documentary prose "The War Has No Woman's Face", "Zinc Boys", "Chernobyl Prayer", "Second-Hand Time". Aleksievich's works are dedicated to the life of the late USSR and the post-Soviet era, imbued with feelings of compassion and humanism.

Documentary films based on scripts by Svetlana Aleksievich.

"Difficult Conversations" (Belarusfilm, 1979), director Richard Yasinsky
“War has no woman's face” (together with Viktor Dashuk) - a series of seven documentary television films (1981-1984, Belarusfilm), directed by Viktor Dashuk. "Parents' House" - (Belarusian TV, 1982), director Viktor Shevelevich
"Portrait with Dahlias" - (Belarusian TV, 1984), director Valery Basov
"Soldiers" - (Belarusian TV, 1985), director Valery Basov
"I am talking about my time" - (Belarusian television, 1987), director Valery Zhigalko
"The past is yet to come" - (Belarusian television, 1988), director Valery Zhigalko
"These incomprehensible old people" (Belarusfilm, 1988), director Iosif Pikman
Cycle "From the Abyss" (script with Marina Goldovskaya), director Marina Goldovskaya (OKO-media, Austria-Russia)
"People of War" (1990)
"People of the Blockade" (1990)
Afghan cycle - documentary films based on the book "Zinc Boys" (script together with Sergei Lukyanchikov), director Sergei Lukyanchikov, Belarusfilm
"Shame" (1991)
"I came out of obedience" (1992)
"Cross" - (1994, Russia). Director Gennady Gorodny
"Children of war. The Last Witnesses ", directed by Alexey Kitaytsev, script by Lyudmila Romanenko based on the book" The Last Witnesses ". Svetlana Aleksievich takes part in the film. MB Group Studio, Moscow, 2009. The film was awarded a special prize at the Man and War Open Documentary Film Competition (Yekaterinburg, 2011).
Films based on the books of Svetlana Aleksievich
"On the Ruins of Utopia" (1999, Germany)
"Russia. The Story of a Little Man ”(2000, NHK, Japan), directed by Hideya Kamakura.
The Door (Ireland, 2008), directed by Juanita Wilson, is a short film based on the book The Chernobyl Prayer.
"Voices of Chernobyl" is a dramatic film based on the book "Chernobyl Prayer".

Theatrical performances

Performance based on the book "Chernobyl Prayer", Geneva, 2009

Living and working abroad

From 2000 to 2013, a new stage begins in the biography of Svetlana Aleksievich: she moves to Italy, later lives and works on her books in France and Germany. In 2013, she returned to her homeland again and currently lives in Belarus.

Among the numerous awards, awards and prizes of Svetlana Aleksievich are the Order of the Badge of Honor (USSR, 1984), the Literary Prize named after Nikolai Ostrovsky of the USSR Writers' Union (1984), the Leipzig Book Prize for Contribution to European Understanding, Officer's Cross of the Order of Arts and Literature (France , 2014). She was also awarded the Nobel Prize in Literature (2015) - "for her polyphonic creativity - a monument to suffering and courage in our time"

Svetlana Aleksievich's books as documentary prose, literary journalism, documentary monologues, oratorio novels, reportage, testimonial novels. The writer herself defines the genre in which she writes as a "history of feelings."

Svetlana Aleksievich's books have been translated into English, German, Polish, French, Swedish, Chinese, Norwegian and other languages. The total circulation of foreign editions of "Chernobyl Prayer" amounted to more than 4 million copies.

Svetlana Aleksandrovna Aleksievich is a writer, laureate of many Russian, foreign and international prizes, including the Nobel Prize. Several films have been made based on her works. Svetlana Aleksievich's books are dedicated to the most tragic pages in our history. Namely: the Second World War, the Afghan war, the Chernobyl tragedy. The biography of Svetlana Aleksievich is the topic of today's article.

early years

Presenting to your attention the biography of Svetlana Aleksievich, you should start with the fact that she was born in 1948, in the Ukrainian city of Ivano-Frankovsk. The father of the future writer was a Belarusian. Mother is Ukrainian. In the early fifties, the father was mobilized, the family moved to Belarus. Here the parents worked as teachers.

Alexievich spent his childhood and adolescence in the Gomel region. While still at school, she began writing poetry and small notes. After receiving a certificate of maturity, I decided to enter the Faculty of Journalism. But at that time, the rules were in force, according to which you should have worked for at least two years in one of the editions. After leaving school, she got a job as a correspondent for a local newspaper, and later entered the Minsk University.

Beginning of journalistic activity

The creative biography of Svetlana Aleksievich was not easy. After graduation, she was sent to the Brest region. Here she worked for several years as a journalist in the editorial office of a local newspaper. At the same time, she taught at a rural school. It was necessary to decide on a profession. Continue a family tradition or devote yourself to writing? The choice was made in favor of literary creativity. And it does not promise stability and does not guarantee recognition. Many years passed before Alekseevich was able to create her own unique style. She wrote several books that are world famous today, but in Soviet times they were in no hurry to print them.

Features of creativity

Svetlana Aleksievich's books are written in a rather unusual manner. Her style is a cross between artistic and journalistic. The writer herself claims that he was formed under the influence of Ales Adamovich, a Belarusian prose writer, author of such works as "The Blockade Book", "I am from a fiery village." What are the features of the literary style of the writer is discussed below. In the meantime, first of all, let us name the main events from the biography of Svetlana Aleksievich.

In 1983, Aleksievich was admitted to the Writers' Union of Belarus. At the same time, she wrote one of her most famous works. Svetlana Aleksievich has been working on the book "The War Does Not Have a Woman's Face" for many years. But the publishers and censors did not appreciate her work. The book has undergone numerous revisions and only in the two thousandth was it published in its original form.

We will tell you how the creative biography of Svetlana Aleksievich developed using the example of the books she created. There are not so many of them, but each caused a resonance in society. Alekseevich spent many years abroad. She lived in Italy, Germany, France. Her political views are not pro-Russian. In the press, she more than once spoke out quite sharply about the most important events of recent years.

Personal life of Svetlana Aleksievich

Little is known about the family of the writer. No wonder. After all, Alekseevich is not an actress or a TV presenter. She is a writer who creates literature that is far from entertaining. It is known, however, that Aleksievich is not married. She devoted most of her life to journalistic activities. According to some reports, Svetlana Aleksandrovna Aleksievich once long ago formalized guardianship over the daughter of her deceased relative. The writer has no native children.

"War does not have a woman's face"

Svetlana Aleksievich wrote her first book in the seventies. It was a publicistic work "I left the village". The book was not published, the aspiring writer was accused of not understanding the country's agrarian policy. Later Alekseevich refused to finalize this work and began work on a new one.

There was no family in the Soviet Union that would not have experienced losses in the forties. The future writer grew up in a small village where mainly female voices were heard. It was women who talked about the war, they remembered it and cried. It is not surprising that Alekseevich dedicated her first significant work to them.

The book is a collection of memories. These are the stories of front-line soldiers: signalmen, doctors, pilots, sappers, snipers. Women in the war had to master any military specialties. Alekseevich, working on this book, visited about a hundred cities, villages and villages. She communicated with the former front-line soldiers, wrote down their revelations. She later admitted that over the next years she unsuccessfully tried to forget the terrible stories that she heard from them.

About 800 thousand women took part in the Great Patriotic War. They asked to go to the front even more. Phenomenon in history. Such a number of women have never participated in any war before. Aleksievich's book is filled with many terrible details that have survived in women's memory. But why did they refuse to publish this work for so long?

Censorship

In Soviet times, many good films were created, and even more wonderful books were written. But in most of them, the Soviet soldier was devoid of any human weakness. He was an undeniable hero, ready to fight fascism to the last drop of blood. But it is not so easy to kill a person, even if he is an occupier. This is evidenced by some pages from the memoirs of the heroines of Aleksievich. For example, the story of a front-line soldier who, at the age of 18, ended up at the front as a sniper. It was not easy for her to shoot a German for the first time. Inappropriate thoughts arose that her target was an ordinary person. There are many similar stories in Aleksievich's book. And it also has a lot of naturalism that can terrify the reader.

Aleksievich was accused of debunking the heroic image of a Soviet woman. With rude naturalism, according to the opinion of the censorship workers, she only humiliated the front-line soldiers. Soviet heroism was sterile; it had no connection with either physiology or biology.

"The last witnesses"

Aleksievich also devoted her next book to the topic of war. In "The Last Witnesses" she told about those who in 1941 were from 5 to 12 years old. When work began on this book, there were still many children of the war in the Soviet Union. Today there are only a few of them. One of the journalists called Svetlana Aleksievich "the keeper of memory". It is difficult to disagree with these words, because thanks to her books today we learn about what only people who have long left this world could tell.

In June 1941, in the city of Brest, most of the inhabitants were destroyed. Those who survived forever remembered the picture: a murdered girl lies on the pavement, and next to it is a doll. This is how the work of Svetlana Aleksievich begins. But these are far from the scariest lines. This is followed by the memories of people extracted from the depths of childhood memory.

These are stories that are really scary to listen to. Even if only adults were eyewitnesses of the events. At the thought that children, on whom even a seemingly quite ordinary event makes a strong impression, have become witnesses of inhuman cruelty, it becomes creepy. Alekseevich believes that this should not be forgotten. Wars have been, are and will be. Perhaps those who untie them can be stopped by children's crying?

"Zinc Boys"

In the Second World War, about 25 million people died. Both men and women went to the front in order to save their native land. For what and who needed the war, which began in 1979, and today is not very clear to many. For 10 years, Soviet mothers parted with their sons. Not everyone happened to see their children again. The soldiers returned in zinc coffins, and if they were alive, then they were not the same as they were before. Disabled people, people with twisted fates came home.

When creating the book "Zinc Boys" Svetlana Aleksievich worked according to her usual scheme. That is, she interviewed ordinary people. As before, I talked mainly with women - with the mothers of the dead or surviving soldiers. Those who went through Afghanistan in the 80s were called internationalist soldiers. In fact, many of them were mentally disturbed people in whom death and murder no longer evoked any emotions.

At that time, ordinary people did not know the truth about this war. She was not needed. When Aleksievich's book was published, a flurry of criticism fell upon the writer. The mothers who were interviewed retracted their words. Aleksievich was accused of lying and slander. Most likely, the soldiers' mothers came under pressure from government officials. Based on the book "Zinc Boys" by Svetlana Aleksievich, several theatrical performances and two documentaries have been created.

"Bewitched by Death"

In August 1991, an event took place in Moscow that influenced the course of history, not only domestic, but also worldwide. A few months later, the huge multinational country was gone. The changes affected all spheres of human activity. Such changes are not easy to survive, as a result - a huge number of suicides. This is what the book "Bewitched by Death" is about. The work tells about both famous people and ordinary people.

"Chernobyl Prayer"

The accident that occurred in 1986 claimed many lives. Today many people suffer from the consequences of the tragedy in Pripyat. The book "Chernobyl Prayer" by Svetlana Aleksievich was published in 1997. The most tragic pages are devoted to firefighters who were called to the station on April 26. Several feature films and documentaries have been shot based on the "Chernobyl Prayer" by Svetlana Aleksievich.

This work has received many positive reviews from foreign critics. Among the advantages of the book, according to one of them, is that the author does not impose his opinion, does not bring accusations, but gives the reader the opportunity to form his own point of view.

Svetlana Aleksievich received the Nobel Prize in 2015. She was honored with an international award for her monument to suffering and courage in our time.

Svetlana Aleksandrovna Aleksievich (05/31/1948, Stanislav, Ukraine) - Soviet and Belarusian writer, journalist. Winner of the 2015 Nobel Prize in Literature.

Father is Belarusian, mother is Ukrainian. After the demobilization of his father, the family moved to his homeland, to Belarus. Graduated from the journalism department of the Lenin Belarusian State University. She worked as a teacher in a boarding school, a teacher, in the editorial offices of regional newspapers "Prypyatskaya Praўda", "Mayak of Communism", the republican "Selskaya Gazeta", the magazine "Neman".

She began her literary career in 1975. The famous Belarusian writer Ales Adamovich can be called the “Godfather” with his idea of ​​a new genre, the exact definition of which he was constantly looking for: “cathedral novel”, “novel-oratorio”, “novel-testimony”, “people telling about themselves”, “ epic-choral prose ", etc.

The first book by Aleksievich - "The war has no woman's face" - was ready in 1983 and lay in the publishing house for two years. The author was accused of pacifism, naturalism and debunking the heroic image of a Soviet woman. At that time it was more than serious. "Perestroika" gave a beneficial impetus. The book was published almost simultaneously in the magazine "October", "Roman-Gazeta", in the publishing houses "Mastatskaya Literatura", "Soviet Writer". The total circulation reached 2 million copies.

The fate of the following books was also difficult. "The Last Witnesses" (1985) - children's view of the war. Zinc Boys (1989) - about the criminal war in Afghanistan (the publication of this book caused not only a wave of negative publications in communist and military newspapers, but also a protracted trial, which was stopped only by active protection from the democratic community and intellectuals for abroad). "Bewitched by Death" (1993) is about suicides. "Chernobyl Prayer" (1997) - about the world after Chernobyl, after a nuclear war ... Now Alexievich is working on a book about love - "The Wonderful Deer of the Eternal Hunt."

Member of the Union of Journalists of the USSR, the Union of Writers of the USSR, the Belarusian PEN Center.

The books were published in 19 countries of the world - America, England, Bulgaria, Vietnam, Germany, India, France, Sweden, Japan, etc.

Films have been shot based on Aleksievich's books and theatrical performances have been staged. A series of documentaries based on the book "War has no woman's face" was awarded the USSR State Prize and the "Silver Dove" at the international documentary film festival in Leipzig.

She is known for her consistently negative position in relation to the foreign and domestic policy of President A. Lukashenko, in connection with which she was subjected to judicial and extrajudicial persecution. Since the beginning of the 2000s, he has been living in exile (Italy, France).

Books (6)

War does not have a woman's face

War Does Not Have a Woman's Face is one of the most famous books on war in the world.

Translated into more than twenty languages, included in school and university programs in many countries

In the worst war of the 20th century, a woman had to become a soldier. She not only saved, bandaged the wounded, but also fired from a "sniper", bombed, blew up bridges, went on reconnaissance, took tongues. The woman killed. She killed the enemy who fell with unprecedented cruelty on her land, on her house, on her children. This was the greatest sacrifice they made on the altar of Victory. And an immortal feat, the full depth of which we comprehend over the years of a peaceful life.

The last witnesses. Solo for a child's voice

The second book (the first was "The war does not have a woman's face") of the famous artistic and documentary cycle by Svetlana Aleksievich.

Memories of the Great Patriotic War of those who were 6-12 years old during the war - the most impartial and most unfortunate witnesses. A war seen with a child's eyes is even more terrifying than one captured by a woman's eyes.

Aleksievich's books have nothing to do with the literature when “the writer writes and the reader reads”. But it is precisely in relation to her books that the question most often arises: do we need such a terrible truth? The writer herself answers this question: "A man who is forgetful is capable of engendering only evil and nothing else but evil."

Zinc boys

Without this book, which has long become a world bestseller, it is already impossible to imagine either the history of the Afghan war - a war unnecessary and unjust, nor the history of the last years of Soviet power, which was finally undermined by this war.

The grief of the mothers of "zinc boys" is inescapable, their desire to know the truth about how and for what their sons fought and died in Afghanistan is understandable. But, having learned this truth, many of them were horrified and abandoned it.

Second hand time

The final, fifth book of the famous artistic and documentary cycle by Svetlana Aleksievich "Voices of Utopia". “Communism had a crazy plan,” says the author, “to remake the 'old' man, the old Adam. And it worked ... Maybe the only thing that worked. For more than seventy years in the laboratory of Marxism-Leninism, a separate human type has been developed - homo soveticus. Some believe that this is a tragic character, others call him a “scoop”. It seems to me that I know this man, he is well known to me, I have lived next to him, side by side for many years. He is me. These are my acquaintances, friends, parents. "

Socialism is over. And we stayed.

Enchanted by death

A gigantic empire collapsed. Socialist mainland, occupying one-sixth of the land. In the first five years, hundreds of thousands of suicides were recorded. People knew how to live only under socialism and did not know how to live on ... Among the suicides were not only communist fanatics, but also poets, marshals, ordinary communists ...

The book is about how we emerged from the anesthesia of the past, from the hypnosis of the Great Deception ... Ideas-killer ...

Reader Comments

Irina/ 8.06.2019 Eh, the author had a soul, but it all came out!

Bohdan/ 6.06.2019 I want to answer Ivan. Knowledge of languages ​​doesn't say anything yet. When the computer was created, someone said - a mathematical genius - but the main developer answered - an idiot with a mathematical bias. The writer received the award deservedly, she wrote everything correctly. My mother was a partisan and fought, she told a lot. I had veteran neighbors. Fighting a woman is a feat and life in war is terrible for her. And about Afghan, if someone tells some kind of gaiety, he is a bad person and he should be ashamed. My friends and relatives were there. The song is sung, who has seen many words does not waste. And they rarely tell. And how many are no longer in this world ........

Ivan/ 26.10.2018 About me. Higher education, 8 foreign languages ​​(including Chinese and Arabic) and 4 languages ​​of the peoples of My country. Until the moment when Ms. Aleksievich was chosen as the "Nobel laureate", the opinion of the Nobel Committee was highly respected in my family. Be sure to reread the books of the Laureates who have already read and read new ones ...!
Mrs. Aleksievich was appointed a laureate not for the book "... not a woman's face" which was written by a wonderful Soviet writer, thank God Soviet culture is rich in wonderful books, and not for half-truth books, (a worthy student of Dr. Goebels) of such writers many!
It is a pity that NK began to give titles for the fact that a public person calls the people of Belarus and all the peoples of Russia, "cattle"!
It is a pity that NK makes political decisions to the detriment of its reputation!

mikhail/ 7.01.2018 I read about Afghan, well, a writer! drives a solid crap, six of my classmates fought behind the river, well, there was anything, but here only oppressive chernukha, as if to order from behind a hillock, only to blacken at any cost, to diminish the significance, to make this war null and void, and then more - to take away the memory, take away country, for which she received the award.

Andrey/ 06/29/2017 I have read only a couple of books in my 30-year life. And today I am looking through the Internet where you can buy her books. Moreover, since they are trying to blacken her, it means she really wrote the truth, which hurts her eyes. Yes, and I look at paid commentators, even here there are enough, well, either they are intoxicated by their own propaganda. And to you Alexievich a deep bow from me. Thanks.

eon/ 08.21.2016 Thank you for the truth, even though it is terrible

Tatiana A/ 3.01.2016 Real contemporary art should influence the emotions of a person (viewer, reader). Congratulations!

Mila/ 10/30/2015 Congratulations on the award. I read the book "The War Does Not Have a Woman's Face." So empathized only when I watched the movie "Schindler's List." Thank you for stirring up my rusted soul!

The final, fifth book of the famous artistic and documentary cycle by Svetlana Aleksievich "Voices of Utopia". “Communism had a crazy plan,” says the author, “to remake the“ old ”man, the old Adam. And it worked ... Maybe the only thing that worked. For more than seventy years in the laboratory of Marxism-Leninism, a separate human type has been developed - homo soveticus. Some believe that this is a tragic character, others call him a “scoop”. It seems to me that I know this man, he is well known to me, I have lived next to him, side by side for many years. He is me. These are my acquaintances, friends, parents. "

Socialism is over. And we stayed.

Without this book, which has long become a world bestseller, it is already impossible to imagine either the history of the Afghan war - a war unnecessary and unjust, nor the history of the last years of Soviet power, which was finally undermined by this war. The grief of the mothers of "zinc boys" is inescapable, their desire to know the truth about how and for what their sons fought and died in Afghanistan is understandable. But upon learning this truth, many of them were horrified and abandoned it. Svetlana Aleksievich's book was tried “for libel” - by a real court, with a prosecutor, public prosecutors and “support groups” in the government and in the press. The materials of this shameful trial are also included in the new edition of Zinc Boys.

The most famous book by Svetlana Aleksievich and one of the most famous books about the Great Patriotic War, where war is shown for the first time through the eyes of a woman. "War has no woman's face" has been translated into 20 languages ​​and included in the school and university curriculum.

The second book (the first was "The war does not have a woman's face") of the famous artistic and documentary cycle "Voices of Utopia" by Svetlana Aleksievich. Memories of the Great Patriotic War of those who were 6-12 years old during the war - the most impartial and most unfortunate witnesses. A war seen with a child's eyes is even more terrifying than one captured by a woman's eyes. Aleksievich's books have nothing to do with the literature when “the writer writes and the reader reads”. But it is precisely in relation to her books that the question most often arises: do we need such a terrible truth? The writer herself answers this question: "A man who is forgetful is capable of engendering only evil and nothing else but evil."

The Last Witnesses is a feat of childhood memory.

For several decades Svetlana Aleksievich has been writing her chronicle "Voices of Utopia". Five books have been published in which the “little man” talks about time and himself. The titles of the books have already become metaphors: “War does not have a woman’s face”, “Zinc Boys”, “Chernobyl Prayer” ... In fact, she created her own genre - a polyphonic confession novel, in which small stories form a big story, our 20th century.

The main man-made disaster of the 20th century is twenty years old. "Chernobyl Prayer" is published in a new author's edition, with the addition of a new text, with the restoration of fragments excluded from previous editions for censorship reasons.

The most famous book by Svetlana Aleksievich and one of the most famous books about the Great Patriotic War, where war is shown for the first time through the eyes of a woman. "War has no woman's face" has been translated into 20 languages ​​and included in the school and university curriculum.

In the worst war of the 20th century, a woman had to become a soldier. She not only saved, bandaged the wounded, but also fired from a "sniper", bombed, blew up bridges, went on reconnaissance, took tongues. The woman killed. She killed the enemy who fell with unprecedented cruelty on her land, on her house, on her children. This was the greatest sacrifice they made on the altar of Victory. And an immortal feat, the full depth of which we comprehend over the years of a peaceful life.

The second book of the famous fiction and documentary cycle "Voices of Utopia" by Svetlana Aleksievich, who in 2015 received the Nobel Prize in Literature "for polyphonic creativity - a monument to suffering and courage in our time." In "The Last Witnesses" - memories of the Great Patriotic War of children, the most impartial and most unfortunate witnesses. The war, seen with children's eyes, turned out to be even more terrible than the one captured by a woman's gaze in the book "War has no woman's face". The Last Witnesses is a feat of childhood memory. Like the rest of the books in the cycle, it is published in a new author's edition.