Processing seams when sewing a nightgown. Nightdress. Creative project Technological map for processing a nightgown

Preparing fabric for cutting;
Fabric flooring;
Laying out patterns on fabric;
Chalking the outline of the patterns;

Tools for cutting fabric:

1. Large scissors

2. Sharp soap or chalk

3. Measuring tape

4. Rulers and figured patterns

5 . Pins

Safety precautions

1. Store needles and pins in a pincushion.

Do not put the needle in your mouth or play with the needle.

Pierce the needle into the fabric using a thimble. Do not throw away the broken needle, but hand it over to the teacher.

2. Perform work only with working tools.

Place the scissors with the blades closed away from the person working.

When passing scissors, hold them by the closed blades.

Do not bring them to your face.

Use scissors as intended.

When working with

scissors

When working with

with pins

DECATING

DEFINITION CHARACTER FIGURE

DEFINITION SHARE NITI

PREPARATION FABRICS

TO DISCOVER

IDENTIFICATION DEFECTS FABRICS

DEFINITION FACIAL AND WRONG PARTIES FABRICS

Fabric for cutting:

For sewing a nightgown, one of the best choices is to choose soft cotton fabric, cotton blend, flannel, or chintz as the material. The color scheme of nightgowns, as a rule, reflects fashion trends. The main and classic color scheme for nightgowns is light, pastel colors, such as cream, pale pink, pearl gray, soft lilac, etc. For everyday nightgowns, material with small patterns and sparsely scattered patterns is used.

Determining the right side of the fabric

Before laying out patterns on fabric, you need to determine its front side.
For fabrics that have a pronounced pattern, it is easy to distinguish between the back and front sides - where the pattern is brighter, there is a face.
Plain cotton (chintz, calico, etc.), some natural Silk fabrics, as well as artificial silk, have predominantly plain weave threads and therefore the back and front sides of such fabrics are little distinguishable. The front side of such fabrics is determined by comparison - where the fabric looks better visually, the front side is there (no knots, threads, or spools).

Determining the direction of the drawing.

If the fabric is smooth and does not have a one-sided pattern, then the pattern pieces can be laid out in different directions.
If the drawing is directed in one direction, then lay out the patterns and cut out the details of the product in one direction. The exception to the rule is the concept of the model.
On fabrics with large polka dots, the middle of the front and the middle of the back should go through the center of the polka dot.
On fabrics with large patterns, lay out the patterns so that the middle of the front and back coincides with the middle of the pattern.
On checked or striped fabrics, it is necessary to determine whether the checks or stripes are symmetrical or asymmetrical. If they are asymmetrical, then the patterns are laid out in one direction.

Fold the fabric in half, right sides inward, aligning the edges. To prevent the fabric from shifting when cutting, you can pin it with needles inside the outline of the parts.

Lay out the patterns on the wrong side of the fabric, taking into account the direction of the warp threads. To the fold of the fabric, place the parts that are given on the pattern in half size. After cutting out you will have a solid piece.
First, lay out the large parts (front, back) on the fabric, then the small parts (facing, yoke, etc.). Achieve an economical layout of patterns on fabric.

OPEN

NIGHT

SHIRTS

1 SHALING

CONTOUR PATTERNS

2 SHALING

CONTOUR PATTERNS

WITH ALLOWANCES ON THE SEAMS

3 CUT DETAILS NIGHT SHIRTS

Chalking the outline of nightgown patterns

Pin the pattern pieces to the fabric with needles and begin chalking.

The second line marks the seam allowances.
On the lower cuts – 3 cm.
Along the side sections – 1.5 cm.
Along the lower sections of the sleeve - 2 cm.
Along the neckline – 1 cm.

Once again check the correctness of the layout and edging and only then proceed to cutting the fabric.

Cut out the details of the nightgown along the seam allowance lines.
Remove the pattern pieces and pin together the cut pieces.

1. Transferring the pattern to fabric is carried out using:

a) running stitches;

c) copy stitches;

d) tailor's chalk.

2. Fabric width is:

a) a distance equal to the length of the weft thread;

b) distance from edge to edge;

c) a distance equal to the length of the main thread.

3. The direction of the shared thread is taken into account:

A ) for the most economical cutting of fabric;

b) to avoid the product being pulled out during wear;

c) so that the product wrinkles less.

1. What types of underwear do you know?

2. What measurements should be taken to draw a drawing of a nightgown and which of them determine the size of the collar and sleeves?

3. Name the lines of the shirt drawing.

4. What is the design process for a shirt?

5. How to prepare a pattern for cutting?

6. Tell us about the cutting sequence.

7. How to prepare the cut details of a shirt for processing?

8. How are the collars, the bottom of the sleeves and the bottom of the shirt processed?

9. What is the final processing of the shirt?

Indicate with the numbers on the right the correct sequence of technological operations when cutting a garment.

A. Pin the fabric together

B. Mark processing allowances

IN. Determine the right side of the fabric

G. Draw control lines and points

D. Outline the details

E. Cut out fabric parts

AND. Determine the shared thread

Z. Pin large and small parts

AND. Arrange large and small parts

A) process the side cuts

B) lay contour and control lines

B) cut the product

D) process the neck cut

D) process the lower sections of the sleeves

E) prepare the fabric for cutting

G) process the bottom edge of the shirt

H) place the pattern on the fabric

When cutting out bias tape, its grain is placed:

a) at an angle of 30° to the grain of the fabric;

b) across the binding;

V) at an angle of 45° to the grain of the fabric;

d) along the binding.

Match the term with its definition. Write next to the number from the left column the corresponding letter from the right column.

Term Meaning of term

1. Seam a) consecutive row of stitches

2. Stitch b) the distance between two needle punctures

3. Line c) a sequence of stitches made to connect the parts of the product to each other. Answer: 1c, 2b, 3a

12. Sweeping is:

a) temporary connection of a small part with a large or non-main part with the main stitches for temporary purposes;

b) connecting two parts, approximately equal in size, along the intended lines with temporary stitches;

c) securing the folded edge of the part, folds, darts, tucks with temporary stitches.

13. After machine stitching, the ends of the threads:

a) brought to the wrong side and tied in a knot;

b) brought to the wrong side and secured with 3-4 hand stitches;

c) secure by moving the machine in reverse.

b) direction of warp threads;

c) the width of the fabric;

d) the amount of seam allowances;

e) direction of the pile.

15. Stitching is:

a) joining several parts of approximately equal size using aligned sections using machine stitching;

b) connecting several parts of different sizes using machine stitching;

c) laying a stitch to secure the folded edge of the part.

16. For processing the bottom cut of the product machine seams are used:

a) stationary;

b) adjustment;

c) invoice;

d) hem with closed cut;

d) hem with an open cut.

17. Indicate in numbers in the left column the correct sequence of manufacturing technology for the garment:

A. Pattern construction

B. Wet heat treatment

B. Taking measurements

D. Cutting the product

D. Sewing the product

18. The direction of the shared thread is taken into account:

a) for the most economical cutting of fabric;

b) to avoid the product being pulled out during wear;

c) so that the product wrinkles less.

a) stationary;

b) adjustment;

c) invoice;

20). Enter the correct word:

Measurements are taken from the …………….. side of the figure.

When cutting the product, you must consider:

a) location of the pattern on the fabric;

b) direction of warp threads;

c) the width of the fabric;

d) direction of weft threads;

e) the amount of seam allowances.

The following machine seams can be made based on the stitch seam:

a) stitching;

b) facing;

d) adjustment;

d) invoice.

13.Connecting seams include:

a) stationary;

b) adjustment;

c) invoice;

d) hem with an open cut.

14.Indicate in the numbers in the left column the correct sequence of actions when performing an overlay seam:

A) bend the cut of one part and sweep it

B) place this part on another and baste

B) stitch

15.You can stitch the bottom edge of a thick fabric skirt by hand:

a) invoice;

b) secret;

c) looped;

d) cruciform;

d) “forward the needle.”

16.Transferring the pattern to fabric is done using:

A) running stitches;

c) copy stitches;

d) tailor's chalk;

e) oblique stitches.

When cutting out the hem, its grain thread have:

a) along the facing;

b) across the facing;

c) at an angle of 45

d) in the direction of the grain of the main part;

e) perpendicular to the grain of the main part.

3. Stitching of parts with their subsequent turning and fastening with machine stitching is carried out using a machine seam:

a) stagnant;

b) turning;

c) hem with closed cut;

d) double;

d) invoice.

4. Stitching means:

a) connect two or more parts of approximately equal size using machine stitching;

b) connect parts of parts or small parts with the main part;

c) connect two parts, as a result of turning them out, the seam will be located inside along the edge of the part;

d) connect two parts, one of which is superimposed on the other;

e) secure the seam allowances with a machine stitch or fold the edges of the part.

5. When processing the lower cut of the product, the following seams are used:

a) stationary;

b) facing;

c) hem with closed cut;

d) double;

d) hem with open cut

Enter the names of the corresponding seams in the empty rectangles from list a-e:

a) into schism;

b) in a frame;

c) with a closed cut;

e) with open cut

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Students, graduate students, young scientists who use the knowledge base in their studies and work will be very grateful to you.

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Creative project

Nightdress

Introduction

pattern technological fabric shirt

ABOUTjustification for the project topic

Nowadays, it is difficult to find a woman who does not have a nightgown in her night wardrobe. Such products are distinguished by a variety of styles, materials and colors. A nightgown can not only provide a comfortable sleep, but also emphasize the dignity of a woman’s figure. Today, a variety of women's shirts fit so organically into our lives that it is difficult to imagine a time when these clothes were not in use.

Since in technology lessons we learn to sew products for ourselves, I decided that I would sew a nightgown.

1 . Historical information

The history of fashion is a topic in which one can trace a certain time line. Here I present a timeline of rather unusual content - this is the story of the nightgown.

Until the 14th century, women either slept naked or slept in what they wore during the day. They had to sleep in uncomfortable outer clothing or naked. What was the main reason for the creation of the nightgown is unknown today. Either it was too cold to sleep naked, or it was not possible to rest properly in outer clothing.

The first mention of special sleepwear appeared in the Czech Republic in the 15th century, where they spoke of a “bedroom skirt”. At that time, the nightgown was very large - wide and long, and only wealthy people could afford this piece of clothing.

Only in the 19th century did the nightgown become more accessible and became widespread, becoming an integral element of both women's (women's nightgown) and men's wardrobe (men's nightgown) - many men also slept in similar clothes. In addition, a shirt was no longer considered a luxury as before. Thanks to this accessibility, every woman had the opportunity to diversify her wardrobe with several models of nightgowns. Even in those days, different styles of such products were used. The most popular were the strict, classic models of nightgowns, which were made of cotton or linen. Women from wealthy families preferred luxurious models made of natural silk. Such shirts were usually decorated with expensive lace. Thanks to this, they looked more like a dress than sleepwear.

Since then, a variety of shirts have never left the women's night wardrobe. But men no longer sleep in such clothes - they prefer to wear pajamas or something else.

Nightgowns, which were worn in our country just a couple of decades ago, were quite ugly - wide and shapeless, made of unattractive and uncomfortable fabrics. Most often, such nightgowns were made of satin, cotton or flannel. And even “getting” such a product in a store was considered a great happiness. Due to the total shortage, women had to sit down at sewing machines and make their own nightgowns.

Now every woman can afford to have several shirts for different purposes - a simple cotton shirt of a classic cut for warmth, you can choose a sports shirt, or choose a shirt made of natural silk, short or long, reminiscent of an evening dress, open, with lace inserts on the chest, trims in the form of ruffles.

Having seen the inscription “women's nightgowns” on the window and looking there with the desire to buy a nightgown, everyone will understand that nightgowns are not necessarily just comfortable and beautiful clothes for sleeping. Today's nightgowns can be very elegant and sophisticated clothing.

2 . Product selection

Project goals and objectives

Purpose This project is to make a nightgown for yourself during technology lessons, which has practical significance.

Objectives of this project:

1. Deepen knowledge of design and modeling,

2. Improve and develop skills in working with new fabrics,

3. Master new techniques for working with a sewing machine,

4. Fostering perseverance and hard work.

Product selection

Model№ 1 . Straight silhouette nightgown. The sleeves are short and one-piece. The neck and bottom are oval. Length max.

Model№ 2 . Nightgown with yoke. Length max. Front and back under the gathered yoke. The bottom of the shirt is trimmed with a frill. The sleeves are short, one-piece, gathered at the bottom and end with cuffs.

Model№ 3 . The nightgown has a trapezoidal silhouette with a straight yoke, parallel to the widening of the lower part. Short, one-piece sleeves, oval neckline. The length is average.

Model№ 4 . Nightgown with wing sleeves. The bottom of the shirt is trimmed with a frill. The length is average.

Model№ 5 . The nightgown is one-piece, with straps. Fitted cut, made of jersey, with thin openwork braid.

Model№ 6 . Nightgown "Grandmother's". The shirt is one-piece. The sleeves are short, the neckline is oval. The length is average.

I chose model No. 6, since I was sewing a nightgown for the first time and decided not to complicate my work. The straight silhouette also fits my figure well and I don’t regret my choice.

Fabric selection

I chose fabric for the night magpie from two types: flannel and chintz. I chose chintz because summer is coming and it will be hot to sleep in a flannel nightgown.

Chintz is a natural material made from cotton. Chintz is very thin and delicate, it allows air to pass through better than flannel, is pleasant to the body and washes well.

I chose a fabric with a spring floral pattern. Since the nightgown is sleepwear, I didn't choose the fabric to match my eye or hair color. My choice was practical - natural fabric is pleasant to the body, as well as its low cost. This fabric is optimal for beginner craftswomen.

3 . Design and modeling

Measurements for drawing

Ssh-17 cm; СrII-42 cm; Dts-35 cm; St-35 cm; Op-27 cm; Di-78 cm.

Line designations on the pattern

Laying out patterns on fabric

4. Plandesign and manufacturing of the product

Tools and materials

Routing

	The name of the operation.	Tools and accessories.
	Taking measurements.	Tape measure.
	Constructing the basis of a drawing of a shoulder product with a one-piece sleeve (nightgown) on a sheet of whatman paper.	Whatman paper, pencil, ruler
	Product cutting: a) Take the fabric and fold it right side inward. b) pin the pattern and trace it. c) Cut out, leaving seam allowances	Fabric, pencil, pattern, scissors, pins.
	We sew the product with copy stitches	Needle, floss, scissors
	Finishing the neck with a facing
	Hemming the side sections of the product	Sewing machine, thread, scissors
	Processing the bottom of the sleeve and the product closed hem seam	Sewing machine, thread, scissors
	Wet heat treatment

5. Results

Calculation of the cost of materials spent on making a nightgown

Name used materials		Material consumption per product	for materials
Fabric "Chintz"	150 rub. (1m)	2 m (1.5 m fabric width)
Sewing threads No. 40	30 rub. (1 PC.)	1 reel
Floss threads	25 rub. (1 skein)

Self-esteem

So my work is over. I'm generally pleased with it. My nightgown turned out neat and true to size. The stitches are even, the hem of the fabric is the same on all sides.

When developing my model, I fulfilled almost all the requirements for clothing. My nightgown ensures the normal functioning of the body (the skin breathes in it). The fabric is quite durable and wear-resistant.

The model has a comfortable silhouette; when sleeping, the shirt does not hug the body, and you feel comfortable in it.

The cheerful colors of the fabric have a positive effect on my morning mood.

This model is inexpensive and accessible.

I am very pleased that I managed to sew my own nightgown and have one more nightgown in my wardrobe.

This is a real victory for me!

Posted on Allbest.ru

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The work was completed by 8th grade student Victoria Sabarova Project leader: N.S. Kyle Creative project on technology on the topic “Nightgown”

Problem situation
Project objectives
Research the problem
Bank of ideas and suggestions
Technological sequence
Economic assessment
Environmental assessment
Conclusion
List of used literature

Problem situation

I chose the theme of my project to make a sewing product - a nightgown, since I need this product! At night I like to sleep in my nightgown. Of course, you can buy it in a store, but you can also sew it yourself, especially since we learn to sew in technology lessons. If I sew a product myself, then, firstly, I will gain experience in sewing products, and secondly, I will benefit financially, that is, I will save a little on the family budget.
My nightgown should be comfortable, light, easy to wash and iron, and allow me to sleep soundly in it. Therefore, I need to choose the right fabric for sewing.

In the process of carrying out project work, I set myself the following tasks:

- study what a shirt is, as it was called before;
- explore when the patterns appeared;
- explore the types of fabrics from which the product can be sewn;
- describe the process of making a nightgown;
- sew a neat nightgown.

Historical reference

Shoulder clothing originates from primitive cloaks and skins. Over the millennia, clothing changed and began to consist of several pieces of fabric that were not sewn, but draped over the human figure. The costume consisted of two parts: a lower shirt - a chiton, and an upper cape - a himation. This cape was thrown over the left shoulder onto the back and chest.
In Russia, the first information about clothing dates back to the period between the 8th and 12th centuries. Women of that time wore a long canvas shirt - a chemise, wide, straight cut, belted at the hips and embroidered at the edges.
In the 15th – 16th centuries, nightgowns and pantaloons appeared, which for a long time belonged to the toilet only of privileged segments of the population. Nowadays, everyone uses nightgowns, regardless of their position in society.
V.I. Dal in his explanatory dictionary of the Russian language gives definitions to the words “shirt” and “shirt”.
“Shirt – shirt, shirt; women's muslin shirt-front, waist-length; blouse, round, outerwear, outer shirt, work shirt, hunting shirt, etc.”
“Sorochitsa, a type of white shirt with scarlet shields, which peasant women wear over their shirt and sundress.”
“Shirt, shirt - shirt, koszul, vest; clothing from the category of underwear, worn under the bottom, on the body.”
From these definitions by V.I. Dahl it follows that the name “shirt” is more suitable for the nightgown of our time.
And yet, why “shirt” and not something else? Probably, in ancient times, a piece of fabric was simply “hemmed”, hence the “shirt”. As a rule, shirts were wide, cut from straight panels. There is even a proverb: “Women’s
shirts are the same bags: tie your sleeves and put whatever you want.”
Pattern- This is a piece of paper cut out of a product for cutting fabric. But how long has it been around? It turns out that a very long time ago - from the 10th century. At that time, patterns were the property of members of tailoring workshops and were carefully protected from copying. Tailors guarded their secrets.
Paper patterns, approximately the same as those we use now, appeared in the 19th century, first in England and then in France. They began to be published in magazines only in 1850 as an appendix, and before that time there were only descriptions and skillfully made engravings. In 1860, industrial production of paper patterns began. The founder of the company that produces patterns is considered to be the Italian E. Batterico.

Bank of ideas and suggestions

Nightgown models

MODEL No. 1

Long shirt with one-piece sleeves

Model No. 2

Nightgown made of silk fabric

Model No. 3

Short nightgown
made of cotton fabric
with one-piece sleeves,
with a round neckline.

Justification for choosing a model.

Based on one pattern, you can model many different nightgowns. Of all the ideas, I choose model No. 3, since this model is made of cotton fabric, which is easy to wash and iron well, unlike fabrics made from chemical fibers and linen. Cotton fabric does not cause any difficulties for me to work with.

Measurements are taken on the right side of the figure; The waist is pre-girdled with a cord.
When taking measurements, the person being measured should stand straight without tension; Measurements are taken with a measuring tape; when measuring, do not pull the tape
Or weaken. Length measurements are recorded in full, and width and girth measurements are recorded in half size; Since the drawing is built on one half of the figure;

Manufacturing sequence

MEASUREMENTS

S w - half-girth of the neck;
S t – half waist circumference;
C b – semi-circumference of the hips;
O p - shoulder circumference;
D and is the length of the product.

The process of constructing a drawing;

1 STEP

STEP 2

Open the textbook and start building the drawing:

From (.) B down, set aside the DI measurement

Construction:

STEP 3

STEP 4

The width of the shirt can be adjusted

according to the standard of Sat: BB1= Sat: 2+3

Back neck width:

BB2 = Ssh: 3+1, neck depth

BB3 = BB2: 3

Construction of the drawing:

STEP 5

STEP 6

7 STEP

Constructing the depth of the neck from (.) B3B4 set aside 5cm in/n

Armhole depth:

V1G = Op:2 + 7

Construction of sleeve width: B1B5 – v/p = 7

Construction of the drawing:

8 STEP

9 STEP

We design the armhole of the shirt, connect G1 and G2

Divide G1 and G2 in half, raise the perpendicular to the top 1.5 cm and connect the arc.

Construction of the drawing:

STEP 10

STEP 11

We expand the bottom of the product, set aside from H1 = from 8-10cm

Connect (.)G2 and (.)H2

From (.) H2 top set aside 1cm

Connect with a smooth line.

Finished drawing; Cutting the product

Cut on the fabric taking into account the grain and pattern.
Mark the necessary inscriptions on the pattern.
Trace the drawing on the fabric along the contour lines (from the wrong side according to the cutting rules);
Cut the product onto the fabric;
Prepare the product for processing.

Stitch the side seams, press them, and finish them with a zigzag stitch.
The neck of the product is treated with an edge facing
The bottom of the product is finished with a “closed hem seam”.
The sleeves are finished with a closed hem stitch, and I placed satin ribbon along all the lines.

Calculation of the cost of a nightgown

The cost of my product turned out to be small - 80 rubles, since I sewed the nightgown myself, and the money was spent only on materials. If my mother bought me a nightgown in a store, she would spend 150 - 180 rubles.
Therefore, we can conclude that sewing a nightgown with your own hands is a profitable and almost waste-free production.

Environmental assessment

The manufacturing process and operation of my product will not entail changes in the environment or disruptions in human life, since my nightgown is made from environmentally friendly materials. I will not throw away the remaining fabric, but use it to make products using the “patchwork” technique.
We can conclude that sewing a nightgown is an environmentally friendly production.

SELF-ESTEEM

I completed a project work - “Making a nightgown”.
In the process of completing the project work, I completed the following tasks:
- I studied what a shirt is, as it was called before;
- researched when the first patterns appeared;
- researched the types of fabrics from which the product can be sewn;
- described the process of making a nightgown;
- sewed a neat nightgown.
I sewed a nightgown that no one else had, and I really liked it myself.
My shirt turned out to be very comfortable, light, it irons well, as it is made of cotton fabric. I gained experience in sewing products and won financially, that is, I saved the family budget a little.
It's so nice that I sewed a nightgown with my own hands, rather than asking my mother to buy it at the store.
Now, when I go to bed, I will only wear it.

Bibliography

1 Illustrated explanatory dictionary of the Russian language. / V.I.Dal. – M.:
Eksmo, 2006. – 896 pp.: ill.
2 Makhmutova H.I. We design, model, sew. Book for students. –
M.: Education, 1994.
3 Technology: Textbook for 7th grade students of secondary schools.
/ V.D. Simonenko, O.V. Taburchak, N.V. Sinitsa and others; Ed. V.D. Simonenko
– M.: “Ventana – Count”, 2002.

Nightgown manufacturing technology

The main stages of making a nightgown

Taking measurements to construct a drawing;
Construction of a pattern drawing (M 1:4);
Construction of a pattern drawing (M 1:1);
Calculating the amount of fabric, preparing the pattern for cutting;
Preparing fabric for cutting, laying out the pattern on the fabric;
Cutting the product, hemming;
Technological processing of the product.

Preparing the pattern for cutting

Sign the name of the cut details, their quantity;
Indicate the direction of the shared thread (D.N.);
Sign the name of the pattern sections;
Write down the amount of seam allowance;
Label the middle of the part, which when cutting should coincide with the fold of the fabric.

Laying out the pattern on the fabric

Spread the pattern sparingly onto the fabric;
Pin with pins;
Trace the outline of the pattern;
Mark seam allowances and loose fit (2 cm).

Cutting a garment

The lines along which cutting will be made are drawn with a sharply sharpened soft pencil;
The product is cut strictly along the seam allowance lines;
After cutting the product, the contour lines from the intended side are transferred to opposite sides using pins and then outlined.

Technological processing of the product

Processing the bottom of the sleeves;
Neck treatment;
Carrying out the first fitting;
Side seam processing;
Processing the bottom of the product;
Carrying out the second fitting;
Final processing of the product;
Wet heat treatment (WHT).

Finishing the bottom of the sleeves with a hem seam with a closed cut

2. Baste the bottom

contrasting sleeves

thread seam

"forward needle"

stitch length up to

1 cm seam width

3. Stitch the bottom

sleeves with matching threads

fabric seam width

1 cm, at the beginning and

at the end of the line

attach the fasteners.

1. Pin the edge

sleeves rolled up

it twice 1 cm.

Processing the neck of the product with a hem

Construction of a drawing of a hem facing pattern (M 1:1);
Choosing the shape of the facing depending on the body type and complexity of processing;
Cut out facings from the main fabric;
Processing the outer perimeter of the facing (pinning, basting);
Finishing the neck with a facing.

Finishing the neck with a facing

Pin and sweep the outer edge of the facing with contrasting threads, tucking it from the front side to the wrong side by 0.5 cm;
Place the facing with the right side on the front side of the nightgown, pin, baste with contrasting threads, stitch length up to 0.5 cm, seam width 0.5 cm, stitch with threads to match the product to a seam width of 0.5 cm. Remove temporary stitches.

1. Turn the facing from the front side of the nightgown to the wrong side, pin it along the inner edge to the nightgown;

2. Baste the facing along the inner edge to the nightgown with a needle-forward stitch, stitch length up to 0.5 cm, seam width 0.5 cm. Pin the outer edge of the facing to the nightgown;

3. Baste the outer edge of the facing to the nightgown using a “forward needle” seam, stitch length up to 0.5 cm, seam width up to 0.2 cm.

Sew the facing to the nightgown along the outer edge using threads to match the product, seam width up to 0.1 cm;
Remove all temporary stitches;
Smooth out the neckline of the nightgown from the wrong side;
Carry out the first fitting of the nightgown, check the length of the product, and adjust it if necessary.

Processing the side seams of a nightgown using a double seam

1. Fold the nightgown in half with the wrong side of the fabric facing inward,

align the side cuts and pin them at a distance of 0.5 cm from the cut;

2. Sew the side sections of the nightgown with contrasting threads using a seam

“forward needle”, stitch length up to 1 cm, seam width 0.5 cm;

3. Sew the side seams of the nightgown with threads to match the product, width

seam 0.5 cm, place bartacks at the beginning and end of the stitching, remove

temporary stitches, turn the product wrong side out

1. Align the side cuts of the nightgown with the wrong side,

pin them with pins at a distance of 0.7 cm from the edge;

2. Cover the side sections with contrasting threads using a “forward needle” stitch, stitch length up to 1 cm, seam width 0.7 cm;

3. Sew the side seams of the nightgown with threads to match the fabric from the wrong side with a seam width of 0.7 cm, attach bartacks at the beginning and end of the stitching, remove temporary stitches;

4. Smooth out the side seams of the nightgown from the wrong side.